12/26/2023 0 Comments Piano key layout![]() You can have a full eight octaves on some Bösendorfer pianos, which expand down to C0 (zero). With C4 “middle C” as a guide, it’s easy to visualize the four octaves used in most vocal music, from a soprano’s high C (C6) down to a bass’s low C (C2).īut even 88 keys are not enough for some. This note serves as the dividing point between the lower bass section (musically notated on a bass clef) and the upper treble section (notated on a treble clef). Near the middle of the piano is “middle C”-also called C4 because it is in the fourth octave. These range from the lowest C (C1) to the highest note (C8), with the three extra low notes numbered octave “zero.” Today each key is not only named A through G for its tone in the scale, but also one through eight for its octave. This modern arrangement of 52 white keys and 36 black keys provides nearly eight octaves. Sometimes you’ll find passages in Mozart piano pieces that seem to want to go higher, but Mozart couldn’t because his keyboard ran out of notes! The Piano Keys in SectionsĪs the Classical era shifted into the Romantic era-from Mozart to Beethoven-the number of piano keys kept growing, until it reached our familiar 88. This is why playing music from those eras never requires piano keys at the upper or lower extremes of the modern piano. The number of octaves found in the earliest keyboard instruments were often limited to three or four, but this quickly grew to a bit more than five octaves throughout the Renaissance, Baroque, and Classical periods of music. On the frequency-pitch conversion chart above, you can see how the hertz of every note on the piano has a mathematical relationship to every other note. And since each octave is double the octave below, the next higher A is double the hertz (880) and the next lower A is half (220). So the orchestra tuning note of A 440 hertz creates a vibration that cycles 440 times in a second. Mathematically and scientifically, the higher note in every octave is exactly double the frequency in pitch, or “hertz.” Hertz measures sound vibrations in cycles per second. In the original seven white key scales, an octave was the eighth note: twice as high as the starting note-or twice as low when playing downward. Replica of an 1805 fortepiano made by Paul McNulty.Īn “octave”-just like an octagon and an octopus-relates to the number eight. The Piano Keys in Octavesīy the time these black and white keys had migrated from the pipe organ to the harpsichord and finally to the 18th century invention called a piano, the keyboard had grown not only from seven scale tones to 12, but also multiplied into octaves and sections. Over time, the tuning of these keys were mathematically refined into what is called an “equal-tempered scale”-allowing musicians to play accurate major and minor scales starting on any of the 12 notes. Since the original seven white keys created natural major and minor scales consisting of two half-steps and five whole steps, the new black keys were slipped in between the whole steps to make 12 equal half-steps. The oldest documented keyboard that used the seven-plus-five keyboard is the German Halberstadt organ of 1361. But on some early organs and harpsichords, the colors were reversed. On the modern piano, these are called “sharps” and “flats” and colored black. In the 14th century, five new keys were added to the original seven, creating what is called a chromatic scale. ![]() ![]() But as other cultures and new ideas expanded the complexity of music beyond simple folk music and Gregorian chants, musicians needed more than a diatonic scale. The sound of the hydraulis made it a very popular instrument throughout the first five centuries A.D. These notes were all the ancient Greeks needed because their tones create natural diatonic scales: a major scale when starting on C and a minor scale when starting on A-still the two most commonly used scales in western music. The seven white piano keys named A, B, C, D, E, F, G reflect the seven basic notes of the hydraulis. In ancient Greece, the first musical keyboard device was called a hydraulis-meaning “water organ.” This instrument used the power of water to blow air through the pipes of a pan flute. So to find the origin of piano keys we must trace the evolution of a pipe organ all the way back to the third century B.C.E. The piano keyboard descended from the harpsichord, which descended from a combination of a stringed harp and the keys of a pipe organ. When we see piano keys we tend to think of a piano, but pianos are a relatively young invention. Representation of the hydraulis (second from left) and other instruments in the Zliten mosaic from ancient Rome. ![]()
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